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Music VS Covid-19: “A Tribute to Phil Collins” by Jay Stezaker

A streaming concert to stay in touch with fans in this moment of quarantine and pay tribute to Genesis & Co ..

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ARCHIVE - Genesis: the first concert with singer Phil Collins, March 26, 1976

Unforgettable stories and memories, through audio, video, documents and much more.

By D.B.

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Genesis' first concert with Phil Collins singer took place at the London Arena in London Ontario, Canada on March 26, 1976. 

Listen to the podcast (in Italian) - CLICK HERE

With Peter Gabriel's farewell to Genesis, Phil Collins became the frontman of the band, which released "A Trick of the Tail" on February 2, 1976 - READ THE ARTICLE OF HORIZONS RADIO.

The LP comes in third place in the rankings of the United Kingdom, such as "Selling England by the Pound ”and becomes their greatest success. Which reassures them. After all, the expectations for the future of the group were very low. But then people heard the record and the quartet's prices went up.

The tour will start on March 26th.

But of course we have to solve the problem of who will play the drums in concert. And Phil doesn't want to abandon his instrument. Collins recounts in his autobiography:

"Bill Bruford, already with Yes, is a good friend who introduced me to a lot of jazz drummers. He comes to one of the tests of the Brand X (we're writingI sell "Unorthodox Behavior") and asks:

"How are you with Genesis? Have you found a singer? '
"Not exactly. I sang on the album, and they want
try to make me sing. But to do it we need toto find a drummer. "
"Well, why don't you ask me?"
«I think you would say no. A little too similar to Yes for you, no? "
"Instead I would."
And here Genesis have a new drummer. "

So Phil has no more excuses. Everyone adapts and gets used to the new set-up and new training.
set-up and new training.

"We don't great ceremonies: it just happens. I don't remember nemless than having rehearsed, or an announcement ", Phil remembers.

Bill Bruford fits in immediately, moreover, it is one of the largest of its kind prog and not only. 

"I'm not particularnervous about the idea of ​​singing, nor about the fact to do it in front of an audience - racconta Phil Phil says -.
to do it in front of an audience - Phil says -. I was already used to it with Oliver !, in his time. But sing with just a microfono between me and the audience, instead of a row of dishes: this is the problem to overcome. If one does not it is worn for bat hats and for flying to in mid-air, what do you do when you don't sing? "

Remember Mike Rutherford in his autobiography:

"We had deliberately chosen Canada because they had less memory of the concerts with Pete there than in Europe. Pete had been such a strong figure that we couldn't imagine how Phil could replace him. "

There are also other practical problems.

For example: how to dress. The suit from
worker was ideal when he was only the drummer. And to wear masks and costumes "Peter Gabriel" is not mentioned. 

"I can put on my coppola and kingdingote for Robbery, Assault and Battery, but this is it the most I am willing to do ", says Phil.

Then the worker suit is chosen. And then there is another concern. Peter Gabriel was very good at entertaining the public with his stories while Mike, Tony and Steve agreecompartment. What can Phil tell?

Then the time comes.

At the London Arena the hall lights dim.

"I spend most of the concert hiding behind the microphone stand: I am a XNUMX-year-old being as thin as a drumstick.
And I don't even touch the microphone. Removing it from the support would be a gesture too ... as a singer.
But I get to the end of the concert bringing only small dents to my fragile awareness of frontman.
",
recalls Phil.

"People were on his side from day one - Mike says -. On stage, Phil has always been a very visual drummer - never flashy but very spectacular.

I will never forget Phil in his T-shirt, his long beard and his trembling hand. And then don't have Pete there ... A strange moment for everyone.
But after playing the first two songs, I realized that it would be all right.

And so it was. Phil's lecture helped us. It lightened the atmosphere. Pete was mysterious on stage, Phil was always the boy next door ", recalls Mike.

There are 2.200 fans at the London Arena on Bathurst Street for Collins' debut as frontman. Genesis expected no more than a hundred people and instead here is the proof that the band's popularity is not decreasing.

Nthere is no public recording of this concert, although it appears that a copy is owned by a collector. Here are those of two successive dates:

The most of setlist of that March 26 is taken from A Trick Of The Tail.

For the 40th anniversary of that historic date for Genesis and rock all, the site Genesisfan has reported...

The memories of those who were in the Canadian arena.

"The band members seemed very nervous - says one of them, Brad Ashton-Haiste -. But after a couple of tracks, everyone had huge smiles. Maybe they thought, 'Phil will work' ".

Another fan, Jim Fisk, took photographs of the concert, which he later sold to the press.

"Phil and Bill's duets are incredible. Speed, technical and musical excellence", remember Fisk.

And say that when the Canadian date had gone on presale Genesis did not yet have a singer.

Ma on March 26 Collins proved to be true frontman. And those present attended a "historic" event.

Read full article

Here is a video showing what the show was like in 1976:

To learn more: 

A Selection of Shows: Genesis & Solo Live Guide 1976-2014

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ARCHIVE - Genesis: first concert abroad, La Ferme IV Belgium, 7 March 1971 - AUDIO & MEMORIES

Unforgettable stories and memories, through audio, video, documents and much more.

By DB - 

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On March 7, 1971, the Genesis went on stage abroad for the first time, at La Ferme V, Woluwe St Lambert, Belgium. LISTEN:

1. Announcer's introduction and Peter's intro
2. Happy the Man
3. Cheese-and-onion crisp man story
4. Stagnation
5. intro
6. The Light
7. intro
8. Twilight Alehouse
9. story
10. The Musical Box
11. intro
12. The Knife
13. intro
14. Going Out to Get You

Stories and Memories:

«We crossed the Channel, taking a ferry from Dover to Ostend from Dover to Ostend », said Richard Macphail in My book of Genesis.

“It was the middle of winter and there was hardly anyone else on board. (...)
It was still just the seven of us on the road together, which when you look at the armies of crew that bands employ nowadays seems ludicrously small.

It was a four-hourcrossing and we were bored stiffbecause there
there was nothing to do. I found this box with life vests in it,,
and so we all got our vests on and posed for what has now become a famous picture of Genesis, all of us with our hair down past our shoulders, Mike drinking from a small bottle of Mateus Rosé
because that's what we drank in those days, that or Liebfraumilch.

(...) Nowadays when you go abroad you have satellite navigation that tells you precisely where to go and mobile phones or with maps on them, but I really had no idea where we were heading in Belgium. I didn't even have a fold-out map.

(...) The place, a club called Ferme V, packed to the roof, but the fans knew every note. It was unbelievable. While in England it was a very slow build-up, in Belgium it happened very suddenly, like a minor explosion as far as we were concerned.

Another thing I remember is that we stayed in a three-star hotel, very comfy, and that Peter shared a room with me because he couldn't bear to share with Tony ever again, not after his experiences at the cottage.»

«Philippe Grombeer (future artistic director of the major Belgian theaters) is a member of the" Club of the Eagles ", and has rented, on behalf of the municipal administration, a farm in Woluwe-Saint-Lambert (a suburb of Brussels)  "STOP V". The space is not large, the interior is old, but what does it matter! "  -  CONTINUE ON GENESIS PLACES

«5 bold young musicians hold their first concert across the border ...
They have behind them a first bankruptcy album and a second (the last one) that something has picked up, especially right where they are going to play) ... » - CONTINUE ON:

GENESIS FORUM # 1

GENESIS FORUM # 2

«Some privileged people saw them in all intimacy and shared everything with them. And with good reason: Belgium was the first foreign country in which the Genesis set foot. " - CONTINUE ON NOSTALGIE

«Like all the superstars before being successful, they slept in lousy hotels, murky rooms in the back of smoky pubs, lost in the countryside. But luck always smiles on those with talent. " - FIND OUT MORE ON FACEBOOK GABRIEL'S ANGELS

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Bootleg - CLICK ON THE IMAGE TO FIND OUT MORE:

 

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Richard Sinclair, Notturno Concertante & The Coastliners TONIGHT LIVE @ Stazione in Rome

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Past to Present Show RICHARD SINCLAIR in Rome

PLAY GENESIS and CAMEL-CARAVAN songs

Past to Present Show RICHARD SINCLAIR in Rome, WITH -Notturno Concertante - The Coastliners -

Richard Sinclair

Famous English bassist, guitarist and singer, in the 70s he founded historic Canterbury area groups such as Caravan and Hatfield And The North, played in the legendary Camel by Andy Latimer and Peter Bardens, played in Robert Wyatt's masterpiece Rock Bottom and in numerous parallel projects between jazz-rock, progressive and acoustic music. The success of Caravan's third album In the Land of Gray and Pink was such that this album has never gone out of production since 1971, when it was released on the market.

The start of what will later be called "The Canterbury Scene" sees a XNUMX-year-old Richard found, with his brothers Hugh and Brian Hopper, the first Canterbury band, the seminal and influential The Wilde Flowers, born from a rib of Daevid Allen Trio. This band was joined by Robert Wyatt, Pye Hastings, Kevin Ayers, Richard Coughlan, David Sinclair and Graham Flight, among others.

From this first nucleus all the main Canterbury groups such as Soft Machine, Caravan and Gong have arisen, but above all, more than 35 years of wonderful original and eccentric music have sprung, with a stimulating and often melancholy timbre, full of inventiveness, a combination of jazz, folk music, classical music, Anglican sacred hymns, rock and psychedelia.

The original albums, starting with Richard's first album with Caravan, which dates back to 1968, have all been reissued and put back on the market. In 2005, with the release of the highly anticipated Hatfield and the North collection entitled Hatwise Choice, the Richard Sinclair Band has certainly evolved, including new instrumentalists such as percussionist Pip Pyle (recently deceased) and keyboardist Alex Maguire.

I NIGHT CONCERTANT

The Notturno Concertante is a group that has seven CDs to its credit, recently released the new album entitled "Let them say". Among the numerous collaborations of the group, the publication of the song "Nocturne" as part of the Double Exposure compilation, edited by Steven Wilson. Former Genesis guitarist Anthony Phillips participated in this compilation, among others.

The group has also soundtracked various radio stories by the writer Giovanna Iorio for Radio 3 Rai.

In addition, the Notturno Concertante has collaborated with Tony Pagliuca (keyboard player of the Orme), with the Bolognese poet Stefano Benni, with the winner of the Campiello prize Andrea Tarabbia and with the actresses Lina SastriPamela VilloresiDaniela Poggi e Barbara Alberti.

The historical members of the Notturno Concertante are Lucio Lazzaruolo guitars and keyboards and the guitarist Raffaele Villanova.

Il Notturno Concertante wrote and performed the music for several films including "The Last Goal" (directed by Federico Di Cicilia) and for the documentary "With my eyes" by the director Giorgio Rights (2013).

He has also composed the music for the series “The clinic of animals” (by Tania Pedroni, Canale 5, 2002), Terra e fede (Rai 2, 2002). The group recently performed several concerts with the Scottish singer Ray Wilson (Eg genesis).

 

THE COASTLINERS - Genesis tribute band

The band 'The Coastliners' is active in Fiumicino and dedicates its work to the performance of the Genesis songs, especially from the 'progressive' period, the legendary 70s.

Historically the band was born in Ostia with the name of 'Globus' in 1977, and performed  for about a decade, after a thirty-year break, in 2010 there was the 'Reunion' at the Salsedine di Fiumicino, the new headquarters of the group, where some of the founding members and the new elements currently reside.

Since 2014, with the entry of the new solo voice and the flute and second voice, the band has been refounded and renamed 'The Coastliners', precisely because of its location on the coastal territory with the reference to the song from the Foxtrot album.

2016 sees the entry of the current solo guitar after various collaborations.

The band is now a reality in the Italian Genesis band tribute scene having performed at the most famous Roman venues and also doing some tours in some of the most important cities in Italy.

Coastliners are: 

Andrea D'Ettore: transverse flute, backing vocals 

Angelo Catania: solo voice

Daniele Gardon: bass, guitar, bass pedal

Fabio Loppi: keyboards, guitar

Giorgio Cocanari: drums

Paolo Menichetti: solo guitar

EVENING INFO:

ENTRANCE SHOW € 15
DINNER ENTRANCE  FROM 20:00
START OF CONCERT H 22: 15

CONTACT CENTER: +39 06 79845959 06.40060282 (from 15:00 onwards)
WHATSAPP (Text messages only)  +39 349 5979997
info@stazionebirra.it

Source: Birra Station website

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The Watch LIVE TONIGHT @ CrossRoads Live Club in Rome - ALL DETAILS

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Friday 9 October 2020 at 21 pm

CrossRoads Live Club
via Braccianense 771, 00123 Rome

tickets:
www.crossroadsliveclub.it/page.do

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Francesco Gazzara @ Church of San Giovanni Battista in Borgo di Cesano (Rome) on 11 September 2020

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Friday 11 September at 20.00 pm and 21.00 pm

Church of San Giovanni Battista, Borgo di Cesano (Rome)

Max 40 participants (as per anti-Covid regulations) for each performance (duration 30 minutes), free admission, reservations required on the number: 349 8728813.

"Gazzara Plays Genesis returns live with a particular event," Dance On A Volcano ", a double evening piano performance dedicated to the relationship of the legendary prog rock group with naturalism and classical mythology (Firth, Salmacis, Hogweed, Watcher, Vine, Undertow , Heathaze). "

For updates - CLICK HERE.

"Just out of the oven this unpublished piano version of" The Fountain Of Salmacis "- not included in" Here It Comes Again "- recorded in full lockdown and now masterfully edited by his friend Gianni Del Popolo as the new launch video of the Special Genesis of Prog magazine Italy.

For those wishing to listen to it live, the appointment is for 11 September on the occasion of the two performances (20 pm and 21 pm) by Gazzara Plays Genesis in the Church of S. Giovanni Battista in Borgo di Cesano, between Rome and the lakes of Bracciano / Martignano.

Numerous flocks and don't forget the Genesis Special on newsstands! IRMA Records Group PROG Italy."

DANCE ON IN VOLCANO - Gazzara Plays Genesis

With Francesco Gazzara, pianist and composer

A planet, the Earth, beyond the limits of climate change. A river, the Forth, which with its flow towards the deep inlet, the Firth, created by its estuary, represents life, history, time. A volcano, perhaps real or perhaps dreamlike, with the same shocks, explosions and sounds of a score, a music, a band. A plant, the giant Hegwood, imported for decoration and proved to be a weed and harmful. And another fountain, that of the Ovidian myth of Salmace and Hermaphroditus, originally located in the Anatolian region of Caria. It was the very early seventies when a British band, the Genesis, chose to integrate mythological themes with a strong naturalistic link in their music. When rock was progressive, when rock was musical experimentation and theatrical representation, when rock was generational rebellion and political denunciation, when rock was a continuous genesis. When rock was - in fact - the Genesis. Francesco Gazzara in a solo piano concert, interprets pieces of Genesis: nature, sometimes quiet but more often rebellious and apocalyptic, as the greatest common divider of a musical art that has the power to evoke epic images and breathtaking landscapes even at five decades away.

Fifty years after the birth of Genesis, Francesco Gazzara publishes "Here It Comes Again", the second acoustic-orchestral album of the project Gazzara Plays Genesis. A particular selection dedicated to nature, to the natural and human landscape of our planet.

Location St. John the Baptist, piazza Caraffa 24 duration 30 minutes and 2 shifts  Guests max 40 Age for all    

Insights

"The Fountain Of Salmacis" - ("La Fontana Di Salmace" from the album "Nursery Cryme", 1971)

"From a dense forest of tall, dark fir trees, Mount Ida rises like an island / Inside a hidden cave the nymphs had hidden a creature / Hermaphrodite, son of the Gods, so afraid of their love". The text sung by Peter Gabriel moves sinuously between the arpeggios and the musical crescendos of the piece, constructed as if they were the fluctuating rhythm of a stream, an impetuous flow of waterfalls and cascades, as if the notes reconstructed the fountain with care and detail. of the nymph Salmace, of Ovidian memory (“The Metamorphoses”). A theme dear to Genesis, as many years later their guitarist Steve Hackett based an entire orchestral concept album (“Metamorphoses”) on it.

"Dance On A Volcano" (from the album "A Trick Of The Tail", 1976)

Although the oneiric influence of the world of dreams and the reading of the writer Carlos Castaneda influenced the creation of this piece, one cannot deny the link between the rhythmic turbulence of the song - between drums and percussion, whistles and very deep bass - and that caused from the telluric movements of a volcano. A real “dance on the crater”, which is also mentioned in the cover graphics of the disc that contains the song, which is transformed into a sequence of odd tempos and swirling melodic throws.

"Firth Of Fifth" (from the album "Selling England By The Pound", 1973)

For progressive rock lovers it is the song with the virtuoso piano introduction par excellence and with the most romantic and symphonic rock guitar solo that exists. Yet it is also linked to nature, both for the references to a bucolic and mythological era of the human condition and for the concept of the flow of a "river of constant change" of which the texts speak. Not only that, the title of the song itself is a play on words in which the interval of the musical fifth ("fifth") takes the place of the Scottish word "forth" (which has a strong assonance with the English "fourth", therefore the fourth, in music), playing precisely with a geographic place that exists in concrete, the Firth Of Forth, the estuary of the River Forth that flows into the North Sea near Edinburgh. The piano introduction of the piece also has a structure based on the series of the Italian mathematician Leonardo Fibonacci, formerly known as the “golden section”, the result of the university mathematical studies of the keyboardist and major composer of the Tony Banks group.

"Watcher Of The Skies" (from the album "Foxtrot", 1972)

The text speaks of a sort of science fiction fatalism, describing a planet (the Earth) now devoid of human life and in a post-atomic scenario where it was enough for the great "lizard to whip its tail" to change the face of what was there familiar. Interestingly, the title and text of the song came to mind to their young authors while they were on the roof of a hotel, waiting for the rehearsal of one of their first concerts at the Palasport in Naples. The view of a panorama geographically (and mythologically) breathtaking on one side and truly bleak on the other, with an infinite expanse of decay and uncultivated countryside (probably an industrial area already disused or of future construction), gave the idea for a a piece that from the very first notes seems to have been made to describe infinite spaces devoid of apparent human presence.

 "The Return Of The Giant Hogweed"

 ("The Return of the Giant Hogwed" from the album "Nursery Cryme", 1971)

"Back, and run away. / No one can stop them / around every river and every canal / their power is growing. / Crush them. / We must destroy them. / They penetrate every city / with their heavy and dark smell. / They are invincible. / They seem immune to all our herbicides ”.

Taken from http://associazioneticonzero.it

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Revelation @ Geronimo's in Marino, Rome on 8 September 2020

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Tuesday 8 September 2020 at 21 pm 
REVELATION live at Geronimo's Restaurant
Via Appia Nuova Vecchia Sede 57, Marino RM
Info & Reservations: 069309344
FREE ADMISSION

All updates.

https://www.facebook.com/revelationroma

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ESTRO plays Genesis Anthology @ Arena Kinsale in Nettuno (Rome) TONIGHT 28 August

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ESTRO plays Genesis Anthology

Friday 28 August 2020 at 21 pm

Arena Kinsale Nettuno, Via Acciarella, 107 Nettuno (Rome)

"After the resounding success at the Amphitheater of Ostia Antica it is repeated."

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Revelation & Squonk @ Cavea of ​​the Auditorium in Rome 24 August 2020

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Monday 24 August at 19:00

CAVEA of the Auditorium, Rome

New multimedia show.

Tickets on TicketOne.

"25 years after the first time we performed ALL THE LAMB LIES DOWN at Palladium, we will offer you a total immersion in the incredible world of RAEL.

In Cavea comes the staging of the masterpiece of GENESIS as Peter Gabriel would have liked.

Thanks to a 3D screen of 12 by 6 meters, the spectator will be able to enter and be enveloped in the world of Rael.

A super band formed by REVELATION and SQUONK and embellished even more by cameos of great artists will drag you into a modern and technological Lamb.

A great party for lovers of the English band which will also be an opportunity to finally understand the meaning of this work so loved, but so enigmatic and painful. And to be able to rediscover its great modernity and actuality. "

Press review:

ANSA - With Revelation and Squonk, "The lamb" by Genesis 45 years later

The lamb lies down on Broadway, the historic concept album by genesis back to "playing" live ...

A tiring and imaginative work that cost Gabriel the first divorce from genesis, the world-famous band that later replaced him ...

To learn more: CLICK HERE.

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