The first very famous photo of the third landing on the Genesis peninsula, after two of the previous year, is this one, at the Cral Club of the'Linate airport in Milan, in a press conference together with the Lindisfarne, who have just arrived in Italy. Here she is:
The concert is part of the Charisma Festival, like the subsequent Rome date - on stage with Genesis other bands, with a last minute variation of dates as seen from the poster above -. And here's the "right" one:
Now the recording of the concert:
00:00 - Watcher Of The Skies; 11:53 - The Musical Box; 23:28 - The Fountain Of Salmacis; 33:20 - Get 'Em Out By Friday; 44:13 - Supper's Ready; 01:09:55 - The Return Of The Giant Hogweed; 01:21:28 - The Knife.
A look at Peter's costumes. For Watcher Of The Skies has not yet adopted bat wings, but looks like this:
On the ending of The Musical Boxthen the twist. Peter appears withthe red dress of his wife Jill and thefox mask.
"The Italian public has the opportunity not only to attend a high-level technical performance, but also to witness the band's relentless journey towards a musical / theatrical proposal that will find its fulfillment in the years immediately following".
"The success is unprecedented, with 8 thousand people present in Reggio Emilia in a room at the limit of capacity and even 18 thousand in Rome, when at home they usually play in front of a few hundred spectators."
IGenesis have already hired Phil Collins on drums - Read -, now they have to find a good replacement on the guitar.
Both Ronnie Caryl have rehearsed in concertPhil's great friend (auditioned with him -Read) and guitarist of Flaming Youth, and Mick Barnard, member of Farm, but both did not convince the demanding members of the band.
After the farewell of Anthony Phillips - READ and then with the arrival of Phil, the Genesis have then continued as a quartet, with Tony playing all guitar parts on an electric piano Hohner filtered with a fuzz box. The research continues.
On December 14th, scrolling the Melody Maker,Peter is intrigued by the unusual announcement of a certain Steve. There he is:
“Mike had auditioned for a long time, but Peter and I convinced ourselves that he was trying to find someone who sounded just like Ant, which was obviously impossible. So the two of us went to see Steve. He was really smart, looking at him he seemed one of many, instead he knew how to compose, experiment, he wasn't the classic mad guitarist ».
E remembers Steve in the same precious book by Giammetti:
«I played a little Jimmy Page, with fast solos that did not go well with delicacy of thetheir songs. The first times were really difficult ».
And so we come to that January 14, 1971, when at University College London, Steve Hackett makes his debut in concert with Genesis. But it won't be an easy time.
"The first gig was a disaster for me. Up until then I had used a borrowed fuzzbox or Tony's Marshall Superfuzz. So everything worked well, but that night they gave me a Shaftesbury Duo Fuzz which is a great fuzzbox. I couldn't get a Marshall Superfuzz and thought, 'Oh, this sounds good.'
And when we did the sound check it seemed all right, but obviously when everyone was playing, it was much louder and the return was a disaster. I got discouraged and forgot all my parts. I remember a heated argument after the show and thought it was all my fault.
In hindsight, it wasn't. That was my most embarrassing moment on stage, being on stage with deeply arranged music and with the total inability to remember a note, because I couldn't control my sound. It's not a good start, I thought. "
Steve tells to TWR # 33 reported by genesis-movement.org:
"It was a scary concert ... an unpleasant experience ... there were a lot of mistakes and I had a fuzz box that I had been rehearsing for weeks and suddenly that night I had to use a different one and it was like ... it was the difference between an amateur and a pro and with this fuzz box and its feedback I played badly throughout the show and thought I had it all wrong and it would be the last gig with them. "
"As we would have discovered over the years, Phil had the great ability to drink a lot without showing it. At Steve's first concert - University College London, January 1971 - an exception occurred. We had a few pints but no one had noticed that Phil had had a few more than the others and he was drunk Phil was a drummer so smart that he could do almost anything, but that night he got ready for one of his big rolls and nothing happened. performed to perfection, too bad it was moved twenty centimeters from each piece of the battery.
Poor Steve: it was his first concert, he was nervous and we had a drunk drummer. At the end of the evening, Tony and I had a bad time for Phil, which didn't bother Phil, but unfortunately Steve thought we were fighting because of him: we hated him and wanted to throw him out. As always, no one ever thought of letting the newcomer know how things were. "
"For the most part the concerts are conducted quite professionally: we arrive, play and go home. We smoke a few joints, but no exaggerated revelry. The only time it happens is at a concert at City University in London, the Steve's first with Genesis. We play later than expected, so I spend my time downing myself on some Newcastle Brown beers. When we get on stage I'm completely disoriented. I do all the right fills, but eight inches to the right of where I should. Other than air-guitar, this is air-drums. And afterwards I regret: "What will the new guitarist think? His first concert and the drummer is dead drunk." It is the first time that I play drunk, and it will also be the last. "
Ma Stevedespite his concerns, pass the exam. And the confirmation comes from Peter Gabriel, who declares, reported in the aforementioned Giammetti book:
"We have had two guitarists in recent months but I hope this is the definitive one, we found it through the Melody Maker and it seems to have adapted very well". (Peter Gabriei, Zig Zag n.19, 5 / 71, «Genesis», anonymous).
Here's what Anthony Phillips thinks today:
Steve will become a column of the Genesis, in the formation that many consider "the real one" and beyond. Until the sensational farewell.
Steve Hackett is guest of Ms Amy Birks' new single, I Wish .
The song is taken fromBeatrix Players singer's debut solo album, All That I Was & All That I Am.
Here is the video of the single:
The video, created by Susan Raybould, depicts Birks and a flamenco guitarist, each represented through origami stop motion.
Amy ran into Steve ai Prog Awards, asked him to play and he accepted.
The new single uses the words Christina Rossetti - a pre-Raphaelite poet, activist and artist.
The single and the album are also available for streaming and downloading:
The new album was produced by Birks and Wollage (who worked with Tony Banks on Seven (A Suite For Orchestra).
Available onpackage limited edition cd, with gatefold cover with six 7 "panels, accompanied by a twelve page photo book. This format is exclusive for mail order sales and will be available at the merchandising stand on all shows from April 5 (see below).
Also expected a vinyl album in a gatefold 12 "cover and will also be available through all the usual download and streaming services.
March 11, 1970 - Genesis, the Roundhouse concert sponsored by Yoko Ono. Here is the very rare video, the only appearance of Anthony Phillips:
It is a very rare video of Genesis in concert at that time. It was shot at the Atomic Sunrise Festival on March 11, 1970 at the Roundhouse Club in London. The only one where Anthony Phillips appears.
Both Tony Banks and Ant have always said they remember that this concert was professionally recorded on 8 track equipment. And in fact a 2 minute live segment of Stagnation which is believed to come from this concert was later found in Phillips' archives.
In view of the fact that the Atomic Sunrise Festival was sponsored by Yoko Ono, he suggests that the original audio recording and film footage may still exist in the Apple archives.
This concert took place about a month before the band signed the new contract with Charisma and therefore it is not in their archives.
There is also a private silent color film in Super 8 mm of the concert.
This is a delicate moment for Ant, because he is about to leave Genesis.
Ant is very thin and appears destroyed, but the band does not have the time to notice what is happening in the friend's soul. It is a time when things seem to move. They just registered Trespass (will be released in the fall) and they are on tour, even if the dates are not for large numbers.
"After the recording sessions I felt like a zombie", Phillips told in 2007. Plus, he had health problems, probably related to too much work.
"I was mentally and physically debilitated "- told Ant seven years later to Armando Gallo and reported in his book Genesis: I Know What I Like -. "We were a bunch of perfectionists. After each concert there were always long, long, long autopsies ".
The music he loves so much is becoming the cause of unhappiness for Ant and his good English education prevents him from facing his teammates hard-nosed to try to change the dynamics of the band. "I no longer felt like anyone's friend - continues Ant - I was almost alienated. We were now divided into two groups that had lost their way".
Mike is the first to know Ant's intentions. Just before a concert at the Richmond Rugby Club, they retreated and the revelation arrived like a cold shower. Rutherford knows that his friend is afraid of the stage, but there was no time to deepen the speech and Ant had no longer mentioned his phobia.
The July 18 ad Haywards Heath Genesis play in front of 25 people. The journey home Mile Rutherford and Peter Gabriel do it in Pete's new car, a Hillman Imp. Together they take the situation into consideration.
"For me there was no doubt that without Ant the Genesis had no reason to exist", recalls Mike in theautobiography. Anthony seems irreplaceable, the Genesis appear as indivisible, the urge to quit is about to take over.
Yet during the journey something different matures, the idea of being able to do it even without a friend takes over. "It was about developing a new philosophy based on the assumption 'let's try and see what happens'", writes Mike. So a pause is not considered to allow Anthony to gather his ideas. Must go on.
Here are the Genesis performing the unpublished "The Shepherd"live on the BBC radio program"Nightride"on April 22, 1970. Probably the oldest live Genesis recorded on a disc, the bootleg homonym:
A decision shared also by Tony Banks and that today seems right, but very painful: "It was the hardest blow we've ever received"Gabriel said to a magazine the following year and quoted in Without Frontiers: The Life and Music of Peter Gabriel by Daryl Easlea. "There would have been other departures " - reveals Mike -, "but none would have had the effect on me of leaving Ant".
The Genesis take advantage of this to make a small revolution. Phil Collins and Steve Hackett are about to join the band.
The Headley Grange estate, in English Hampshire, in the British countryside, built in 1795, now a private residence, is a legendary place, used first as a hospice, then in the sixties and seventies to try and record not by Led Zeppelin, Fleetwood Mac, Bad Company, The Pretty Things, Peter Frampton, Ozark Mountain Daredevils, Ian Dury, Elvis Costello, Clover.
In particular, albums such as "Led Zeppelin III", "Led Zeppelin IV", "Houses of the Holy" and "Physical Graffiti" were born here, in addition to the Zeppelin's best-known single: "Stairway to Heaven".
Here the Genesis have lived a light-dark experience.
La band he spent the months of June and July 1974 at Headley Grange, to compose and record "The Lamb Lies Down On Broadway". But the surrounding environment and the mood of the components are not exactly ideal.
«Whatever the group that was last there, left it in one
was terrible, and smelly. And mice take advantage of it. They are everywhere, jumping up and down the creaking stairs, rustling among the creepers that
they cover the trees, run up the ivy that covers the house. We count dozens, hundreds. And I speak only of those who are seen. That house is still a
The only positive note of that place for me is the fact that John Bonham recorded his incredible groove for "When the Levee Breaks" in the trumpet
some stairs. I almost seem to smell it. But instead I smell rats. Thousands of mice. I arrive last, and the best bedrooms are already occupied, of course. So I have a shit room, where in addition to water I also have running mice. At night I hear them paddling above and below me. "
«The house was in considerable deterioration; perhaps because of the "hidden" reputation or from his association with Led Zeppelin, Gabriel was disturbed by rumors that the house was haunted (Bright, 1988, p. 60). Steve Hackett agrees that the place had a "haunted house feel". I felt strange scratching sounds at night, "in all likelihood the mice who shared the house with theirs rockstar guests (Platts, 2001, p. 75). "
«We assemble the instruments in the main living area, while Peter settles in front of an old broken-down piano that is picking up dust in
another room. The four of us improvise, he writes down his ideas for the lyrics, and I record everything with my trusty Nakamichi cassette recorder.
We write some great music (In the Cage, Riding the Scree, tons of good stuff) and a lot of it comes out while Peter is in another room, stepping on the piano, writing the lyrics.»
Not long after the band took office in Headley Grange, Gabriel receives a phone call from director William Friedkin, interested in securing Peter's involvement as a writer in his new film project. Friedkin back then had hits like "The French Connection" and "The Exorcist". The offer is therefore tempting and flattering for Gabriel, who had struck the director with his visionary mind.
Peter originally expected to work with Friedkin after finishing "The Lamb", but the huge success of "The Exorcist" it speeded things up.
"Headley Grange he didn't have a phone, so Gabriel should have cycle to the phone booth at the bottom of the hill and dial the number Friedkin in California with pockets full of coins from 10 (Fielder, 1984, p. 91).
The rest of the group understandably does not shared Gabriel's sudden enthusiasm for a project outside the band. According to Gabriel, his companions "They thought I would use the group as a springboard for my staff happened and I wouldn't even have involved them. But Friedkin didn't want Genesis. He he wanted me for just for my strange ideas, not for music "(Fielder, 1984, p. 91). "
“We haven't had huge, noisy discussions in Headley Grange. From the beginning we realized we had a great one work to do and we knew we couldn't waste much time to discuss.
It also became clear very early that we would only have made the album if Pete worked full time on the lyrics, while the rest of us took care of the music. This bothered Tony more than me, but Pete's mind was elsewhere.
His marriage had had a hard time and Jill was also pregnant with their first child. This meant that Pete came and went often, and when he was with us there was often the feeling that there was whatsomething unsolved between him and Tony. "
Check out the Genesis photos at Headley Grange(in some of them you can notice the tension between the band members):
So Gabriel leaves Headley Grange for about a week for come up with script ideas with Friedkin. But when Charisma learned of Gabriel's departure, label president Tony Stratton-Smith himself stepped in to convince Gabriel to return.
“When Pete came to talk to us about the offer, we did they were quite tense. As per Ant (Anthony Phillips, the first founding member of Genesis to abandon the band, Editor's note), if this moment were happened later in our career I'm sure we could have finding a way out would have given Pete a few months.
But we still hadn't realized that it was really possible and, moreover, we were busy going on tour in the fall. Pete is the most wonderful clumsy. Often it seemed he would never decide. (...)
In the end, we got a little tired of his indecision and we gave him a ultimatum, and at that point Pete left the band.
So I accompanied Tony to the pay phone in the village to discuss the situation with Strat. He always believed he could talk to anyone "Pete, dear boy, come talk to me", but Pete wasn't the type to talk to like this. "
At the same time, Friedkin, unwilling to be responsible for the dissolution of the band, brakes on Peter's collaboration.
"" So Peter made a definite commitment to finish the album before anything else, "said Banks. "But I think it made us all understand that he was getting tired and that it was only a matter of time before he left" (Fielder, 1984, p. 91). Collins agrees: "Things have returned to normal but, from then on, I think we all felt that this could happen again at any time" (Fielder, 1984, p. 91). »
"For the first time we felt that someone was not going in the same direction, something fundamental had changed. The most pressing issue, however, was that now we were incredibly late. The music it was almost complete and we also had a registration date booked, but Pete's text wasn't ready at all. Things got so bad that in the end Pete had to ask Tony and me to write the text of “The Light Dies Down on Broadway ". (...)
Obviously, it was a symbolic contribution, but aat least we could feel we had written a song because we didn't want to an album that had "All words by Peter Gabriel ”written on.»
«For Pete it's a dream come true: the chance to collaborate with a forward-looking artist who excels in an art form different from his, to work from home, and also to be closer to his wife. He asks us: “Can we pause the disc? Give me time to do this, then I'll be back. "
He doesn't say he's leaving us.
We all reply: “Sorry, Peter, unfortunately not. Either you are inside or you are outside. "
From my point of view, in practice, if Peter gives up on us, it is not necessarily the end of the world. My firmly concrete solution is to reconfigure the Genesis as an instrumental quartet. At least that way you could finally listen to the music properly.
The reaction of the other three to this suggestion can be summarized as follows: “Don't say bullshit. We, without singing, without texts? You said yours, now shut up,
Phil ". And of course they are right.
Before something concrete happens, Friedkin's rumor reaches that his offer could lead to the end of the Genesis. It's the last thing he wants, a lot
more than his science fiction project it is only a vague idea. A couple of weeks after making the offer, he gives it up.
So Peter comes back. But he came back because an occasion that interested him most faded away. These are not the best circumstances to find yourself. We continue to work, forgive him and forget everything,
or at least pretend. "
But while Friedkin proceeds without Peter - he then made the film "Sorcerer" in 1977 with the Tangerine Dream soundtrack and it was a fiasco - on the Genesis in Headley Grange another storm is about to blow.
On July 26, 1974, in the middle of the composition, Gabriel's daughter Anna was born; during childbirth the baby comes into the world with the umbilical cord wrapped around the neck, cyanotic. He also inhaled amniotic fluid during childbirth and doctors also suspect meningitis. He spent two
weeks in an incubator with doctors uncertain about his chances of survival.
“Unfortunately Peter is always overwhelmed, and not just by the workload. Things in the family are going badly: his wife Jill has a difficult pregnancy, not me
know what it is. The result is that sometimes he is absent, which means that we go inside without him. This does not help us think like one man
for such an ambitious project. ", writes Phil Collins.
"Gabriel describes those first two weeks of his daughter's life as" really traumatic "and the bandmates as" incredibly indifferent. They were pissed off because I wasn't taking the album seriously like a son of mine "(Bright, 1988, pp. 4-5)», he writes Kevin Holm-Hudson.
Listen to i demos and the tests at Headley Grande of Genesis:
During the Headley Grange sessions, the group made a experiment:
"According to Tony Banks," We shut it down all the lights and only made noise. The weather was truly frightening "(Fielder, 1984, p.92) », he says Holm-Hudson. «Collins provides further details:"We were all getting very intense; Peter was blowing his oboe into the microphone, then his was playing flute with ecoplex, when suddenly there was this great thunder e it started raining. We all thought: 'We got in touch with something strong. '
It was about five or six in the morning evening and we made all these strange noises when the storm started and it started raining. Then we all changed gears and went into one a really melodic mood.
At times like this we were truly one what and we worked well together with "The Lamb". And the size of the double album there given the opportunity to do so. "(Fielder, 1984, p.ninety two)."
In August 1974, the group left Headley Grange and moves in Wales to complete the album. Which, despite or thanks to the vicissitudes of which the ancient estate has been silent witness, is the masterpiece we know and also a turning point in the Genesis career.
"We played in the mountains one evening when Tony had food poisoning. We resisted for a while without him, but it was like being in a car that had lost a wheel and we had to finish the set early. Since we hadn't been able to sell many tickets, the promoter had the excuse that he was looking for not paying. Rich didn't want to know about it and was a little aggressive. The promoter had a gun. We weren't paid. "
But what was a band like Genesis doing in a dancing hall in a small town in the province of Turin?
Born from the happy intuition of Angelo Porcellana, who disappeared 5 years ago, together with the brothers Dino and Claudio, the place attracted audiences from Turin, from all over the province and beyond. In 1972 Genesis did not have a large following, not even at home, and in fact this first tour in Italy takes place in clubs and small sports halls.
Le 2 Rotonde was among the most capacious.
"A dancing goer, friend of my husband", tells exclusively to Horizons Radio Marisa Porcellana, Angelo's widow and she also engaged in the management of the 2 Rotonde of the golden years, «He was a great admirer of Genesis and had suggested that we play them with us, because they are of excellent quality. So when an entrepreneur proposed them to us, Angelo remembered the board and signed them. "
«The Genesis were very nice guys», continues Marisa Porcellana.
“They didn't act like rock stars: they drank little and were very polite. We didn't have a real stage, so they played in the audience, without any attitude of superiority or similar things. When the concert was interrupted, everyone understood that there were health reasons and did not create problems. They were kids, the musicians and their fans. "
Ms. Porcellana does not remember the episode of non-payment and the threat with a gun, cited by Rutherford. "There were no weapons in the room, nobody has ever bothered us like this ", He tells us.
And here what he told exclusively to Horizons RadioPierluigi Gassino, present at the concert:
«The concert was interrupted because the keyboardist Tony Banks felt bad ... and as a consolation I managed to exchange four words with Phil Collins, while Peter Gabriel had a drink leaning against the bar counter where they had performed in front of a few of us ... I remember that then the bassist and the guitarist wandered on stage at the end of the concert collecting some cables and equipment ... all this before becoming rock stars!»
"My brief dialogue with Phil Collins", read more Pierluigi Gassino, "It was due to a fact that made the evening even more bitter for me and my friends because on leaving we found the car no longer in the parking lot and, having returned to the disco to ask for a ride in order to return home, I met Phil outside the club who approaching an Alfa model 1750 with a guy who seemed to be the manager driving it. »
«I asked him, gesturing in Anglo-Italian, a passage to Turin, explaining the fact that just happened and the evident difficulty. He told me that they were going to Milan and there was no place, then added that those who had stolen the car were killed by making the gesture of cutting the throat as a joke. He greeted me by shaking my hand ... beautiful and bitter memory ...! »
Here the testimony Beppe Crovella audio, leader by the band of Torino Arti e Mestieri, posted on Facebook - LISTEN:
On March 7, 1971, the Genesis went on stage abroad for the first time, at La Ferme V, Woluwe St Lambert, Belgium. LISTEN:
1. Announcer's introduction and Peter's intro
2. Happy the Man
3. Cheese-and-onion crisp man story
6. The Light
8. Twilight Alehouse
10. The Musical Box
12. The Knife
14. Going Out to Get You
“It was the middle of winter and there was hardly anyone else on
still just the seven of us on the road together, which when you
look at the armies of crew that bands employ nowadays seems
It was a four-hourcrossing and we were bored stiffbecause there
there was nothing to do. I found this box with life vests in it,,
and so we all got our vests on and posed for what has now become
a famous picture of Genesis, all of us with our hair down past
our shoulders, Mike drinking from a small bottle of Mateus Rosé
because that's what we drank in those days, that or Liebfraumilch.
(...) Nowadays when you go abroad you have satellite navigation
that tells you precisely where to go and mobile phones or
with maps on them, but I really had no idea where we were heading
in Belgium. I didn't even have a fold-out map.
(...) The place,
a club called Ferme V, packed to the roof, but the fans knew every
note. It was unbelievable. While in England it was a very slow
build-up, in Belgium it happened very suddenly, like a minor
explosion as far as we were concerned.
Another thing I remember
is that we stayed in a three-star hotel, very comfy, and that Peter
shared a room with me because he couldn't bear to share with Tony
ever again, not after his experiences at the cottage.»
«Philippe Grombeer (future artistic director of the major Belgian theaters) is a member of the" Club of the Eagles ", and has rented, on behalf of the municipal administration, a farm in Woluwe-Saint-Lambert (a suburb of Brussels)"STOP V". The space is not large, the interior is old, but what does it matter! " - CONTINUE ON GENESIS PLACES
«5 bold young musicians hold their first concert across the border ... They have behind them a first bankruptcy album and a second (the last one) that something has picked up, especially right where they are going to play) ... » - CONTINUE ON:
«Some privileged people saw them in all intimacy and shared everything with them. And with good reason: Belgium was the first foreign country in which the Genesis set foot. " - CONTINUE ON NOSTALGIE
«Like all the superstars before being successful, they slept in lousy hotels, murky rooms in the back of smoky pubs, lost in the countryside. But luck always smiles on those with talent. " - FIND OUT MORE ON FACEBOOK GABRIEL'S ANGELS
"No: professionally I do not regret anything - Mike continues -. We did it because Tony and I had written some songs together that we liked. We had replaced the singer before, even though I was aware that the hill to climb was quite high, this time.
Ray Wilson did a good job as a vocalist but him he was not a writer. Without a third composer there was no one who amalgamate me and Tony, nobody to bring us back in the middle ground.
I had never been aware of how musically Tony and I were before this album. I only understood then that Phil put us both in line, he did his best and found an atmosphere between us.
Calling All Station sold two million copies - not bad - but when the disc was released I got it perceived that the mood had changed, swe became a catalog band.
Tony and Ray were eager to continue, but I knew we were going to have need another composer. It seemed right to stop there, there is nothing wrong."
The tour is filmed live on the promotional album Calling Radio Stations.
Concert preceded by a press conference included in a RAI report, available on YouTube:
And here are two amateur videos of the show, with the audio added later:
A Live that has a particularity: the start time. As Mino Profumo tells in Genesis in Italy, The 1972-1975 concerts, the show starts at 18.00, given that "for the Italians, the austerity Sundays began from December 1973 with the stop of vehicular traffic to cope with the shortage of fuel and the high energy caused by the oil crisis". That Sunday 3 February sees the concert begin and end early for a better return home of the spectators.
Compared to the Turin concert, the lineup sees an interesting variation. Instead of The Battle Of Epping Forest is inserted Harold The Barrel, song rarely offered live (in Italy Genesis had played it in Viareggio in 1972 in the afternoon concert). LISTEN to that version:
And here it is in the 1974 version in Reggio Emilia, played on this tour only in Brussels, Offenbach and Dusseldorf. LISTEN TO HAROLD THE BARRELL:
Another absolute and perhaps unique novelty is Mino Profumo in Genesis in Italy, The 1972-1975 concerts. From the photo below published by the "Qui Giovani" magazine of February 21, 1974, the feeling is that, in the end of The Knife "Peter is using the Supper's Ready fluorescent tube as well as the microphone stand".
And here are others covers of those days:
Below poster and one of the tickets even if, by the way, many are without ticket and try to enter. The police react, scuffles arise, there are injuries and arrests, then everyone inside the sports hall to listen to the Genesis.
And these are two bootleg of the concert:
On February 5, after Turin and Reggio Emilia, it is the turn of Rome.
Here the audio recording of the concert:
And three amateur videos from that show:
Here are some press reports:
Super Sound Magazine poster with photos taken in Rome in the Supper's Ready finale.
Here is a ticket, even if, like in Reggio Emilia, several hundred people try to enter without paying. Same script with torn gates, tear gas and police charges, bruised and a thousand people who manage to enter and attend the concert. You can read other details in Genesis in Italy. The 1972-1975 concerts of Mino Profumo.
A concert that enriched the number of bootleg of the Genesis. Here are the covers:
In Naples, unlike Reggio Emilia and Rome, there are no problems with those who try to enter without paying. But, as you can read in Genesis in Italy. The 1972-1975 concerts of Mino Profumo"the public has the unwelcome surprise of a violent storm which makes returning home less easy."
And here are the covers of the bootleg taken from this show:
If you have memories of this and the other concerts of this tour to share in written or audio / video form send them to Horizons Radio and will be published with your signature.
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