Archivi categoria: Peter Gabriel

The Picture – Record Mirror, Peter Gabriel 14th June 1980

The Picture: images posted (and re-posted) by Genesis & Co. and friends. Today's pic.

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Peter Gabriel: the 30th anniversary of Real World Records

The 30th anniversary of Real World Records. 


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5/6/1989, the label launched with the release of Passion and four other albums which showcased beautiful and unusual music by artists from across the world, including the legendary Qawwali singer Nusrat Fateh Ali Khan.

To mark the milestone, Real World has announced the release of Nusrat's historic first gig at WOMAD Festival in 1985, which was the beginning of his relationship with Peter and Real World..

Live at WOMAD 1985 will be released on 26 July alongside the long-awaited vinyl re-issue of his final album for the label, the Grammy-nominated collaboration with Canadian guitarist/producer Michael Brook, Night Song.

Also released on 26 July is a new compilation album, Worldwide: 30 Years of Real World Music. Celebrating three decades of discovery and enlightenment, this window into Real World music traces a path from Tanzania to China, Ireland to Tibet, Colombia to Papua New Guinea. The label has chosen tracks that opened our minds and hearts to sounds from all around our planet— an enriching and joyous experience.

From Real World Records.

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Video Memories: Peter Gabriel 3 (Melt), released 30/5/1980 – SPECIAL

Video Memories, Genesis & Co. History through videos.

By D.B.

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Il 30 maggio 1980 esce il terzo album solista di Peter Gabriel, senza titolo, come i primi due, ma chiamato informalmente Melt  dall'immagine della copertina. Ecco 10 motivi per riascoltare questo disco.

Peter Gabriel - Melt

1.  E' l'album di Gabriel maggiormente costellato di ospiti prestigiosi, come il produttore Steve Lillywhite e il chitarrista Dave Gregory (I Don't Remember e Family Snapshot) degli XTC, l'inizio della lunga collaborazione con David Rhodes, il vecchio amico Phil Collins e il percussionista Morris Pert (Intruder e No Self Control), la nuova collaboratrice Kate Bush (No Self Control e Games Without Frontiers), il sassofonista inglese Dick Morissey (Start), Paul Weller, allora leader dei Jam (And Through The Wire).

2. Per la prima volta Peter ha usato la drum machine (Games Without Frontiers e Biko, in particolare) e ha sperimentato alla batteria quel suono particolare, con il gated reverb, che caratterizza Intruder, utilizzato l'anno dopo da Phil Collins per In The Air Tonight. Una sonorità che è diventata un modello standard per buona parte del pop inglese degli anni ottanta.

3. Phil Collins inizialmente era scettico riguardo l'idea di non usare affatto i piatti. Ma Peter è stato inamovibile, dato che così poteva sfruttare i toni alti con tutta una nuova serie di sonorità, una varietà di campi da esplorare. Paradossalmente, Gabriel è stato accusato di plagiare Collins, quando In The Air Tonight ha avuto un successo planetario.

4. Gabriel è stato uno dei primi musicisti a utilizzare il Fairlight, un rivoluzionario sintetizzatore che campionava i suoni naturali. Peter addirittura ne divenne il distributore in Inghilterra, in società con un cugino. Nel disco troviamo anche sonorità nuove per il solco rock (post-progressive) in cui è ancora collocato, come lo xilofono (Intruder), il sax (Start), la marimba (No Self Control e Lead A Normal Life), la cornamusa,  i tamburi surdu e cori originali sudafricani (Biko).

5. Family Snapshot è ispirata dal libro An Assassin's Diary (Un diario di un assassino) di Arthur Bremer, testo che ha ispirato anche lo sceneggiatore del film Taxi Driver di Martin Scorsese. Ma un altro libro, Dispatches, le cui foto hanno suggerito a Gabriel alcuni verso di Games Without Frontiers, ha creato non pochi problemi di censura con la BBC.

6. L'album sembra avere un filo conduttore di devianza psicologica, affrontando temi come lo stalking (Intruder), schizofrenia e paranoia (No Self Control), la rimozione (I Don't Remember), la cattiva influenza dei media (Family Snapshot), l'assenza di comunicazione (And Through The Wire), la malattia mentale (Lead A Normal Life). Ma è importante anche l'aspetto "politico". Peter prende posizione contro la guerra (Games Without Frontiers), la paura per l'"altro" (Not One Of Us), l'apartheid (Biko).

7. Davide Castellini in Le canzoni di Peter Gabriel, Editori Riuniti, fa notare come siano tante le espressioni negative nei titoli e nei testi (no, don't, not, never without). Lo stesso Peter se n'era accorto, tanto che, sempre citato da Castellini, temeva di "trasformare l'album in una predica a un bambino, piena di non fare questo, non fare quello".

8. Gabriel era incerto se pubblicare o meno Biko nel disco. Nonostante la sua sincerità nei confronti del tema, temeva di non essere una voce valida per una causa così lontana geograficamente e socialmente da lui. Inoltre la storia di Steven Biko era stata raccontata già in varie canzoni, compresa A Motor Bike In Africa di Peter Hammill, suo amico, collaboratore, nonché vicino di casa a Bath.

9. Biko viene inserita poi nell'album su insistenza dell'amico Tom Robinson. "Fu una chiave di volta nella mia carriera di musicista e di paroliere", racconta Gabriel, citato da Mario Giammetti in Peter Gabriel. Not one of us, Edizioni segno. Inizia infatti il percorso di Peter verso l'impegno per i diritti civili, che lo vedrà in tutte le manifestazioni che il mondo della musica organizzerà per sensibilizzare il pianeta.

10. Per la copertina, quarta e ultima collaborazione con lo studio Hipgnosis e il suo fondatore Storm Thorgerson. Attraverso la tecnica denominata Krimsography, inventata dall'americano Les Krim, una Polaroid con il ritratto di Peter viene manipolata con una gomma da cancellare sull'emulsione ancora fresca. E l'effetto melt, appunto, che dà il titolo informale all'album, è fatto.

Peter Gabriel 3, Melt - Registrazione originale rimasterizzata - IN VENDITA SU AMAZON

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Video Memories: Peter Gabriel at Waldbühne, Berlin 25/5/2014 – VIDEOS

Video Memories, Genesis & Co. History through videos.

By D.B.

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Peter Gabriel at Waldbühne, Berlin 25/5/2014:

Setlist (by Setlist.fm):

Acoustic:

  1. Daddy Long Legs
  2. Come Talk to Me
  3. Shock the Monkey
  4. Family Snapshot

Electric:

  1. Digging in the Dirt
  2. Secret World
  3. The Family and the Fishing Net
  4. No Self Control
  5. Solsbury Hill
  6. Show Yourself

So:

  1. Red Rain
  2. Sledgehammer
  3. Don't Give Up
  4. That Voice Again
  5. Mercy Street
  6. Big Time
  7. We Do What We're Told (Milgram's 37)
  8. This Is the Picture (Excellent Birds)
  9. In Your Eyes

Encore:

  1. Here Comes the Flood
    (German lyrics: Jetzt kommt die Flut)
  2. The Tower That Ate People
  3. Biko

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Peter Gabriel special guest speaker at Open Text Enterprise World in July

Peter Gabriel is the special guest speaker at Open Text Enterprise World in Toronto, Canada, from July 9-11, 2019.


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Experience OpenText Enterprise World, the largest EIM conference globally, at the Metro Toronto Convention Centre from July 9-11, 2019.

New and updated programs focus on learning, networking, strategy insights, solution roadmaps—all infused with amazing keynote speakers. There are more interactive programs than ever before with subject matter experts covering the topics most requested by the customers.

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Peter Gabriel last realease:

From petergabriel.com

Having always loved the combination of film and music (aged 17 he gave up a place at film school to pursue a career in music) Peter Gabriel’s first opportunity to really marry these twin interests came when he was asked to create the music for Alan Parker’s film Birdy in 1985.

Further film work, including his music for Martin Scorsese’s The Last Temptation of Christ (that became the album Passion)...

and the soundtrack to Philip Noyce’s film Rabbit-Proof Fence (released as the album Long Walk Home), has continued to feed that interest.

“I have always loved film and any chance I have been offered to work with good film projects and good directors I have jumped at. This is a mixture of songs that have been written for specific films, and existing songs that found an appropriate place in a story. Consequently, there is a mix of different styles and moods.” – Peter Gabriel

Alongside those longer soundtrack commissions Peter Gabriel has also regularly contributed songs to a diverse range of movies and Rated PG explores this other connection forged by Peter between his music and film.

Rated PG is an opportunity to bring together in one place, for the first time, a selection of songs written especially for, or used to notable effect in, movies and includes new and previously unreleased versions, otherwise unavailable songs and a brand new track.

Tracks:

That’ll Do
Written by Randy Newman.
Performed by Peter Gabriel featuring Paddy Maloney and The Black Dyke Mills Band.
Produced by Bob Ezrin.
Taken from the film Babe 2: Pig in the City, directed by George Miller.

Down to Earth
Music by Peter Gabriel and Thomas Newman, lyrics by Peter Gabriel.
Performed by Peter Gabriel, featuring the Soweto Gospel Choir.
Produced by Peter Gabriel, L.A. Sessions Produced by Thomas Newman. Recorded by Richard Chappell assisted by Mat Arnold. Mixed by Tchad Blake.
Taken from the film Wall-E, directed by Andrew Stanton.

This Is Party Man
Written by Peter Gabriel, George Acogny and Tori Amos.
Performed by The Worldbeaters and Peter Gabriel.
Produced by George Acogny and Peter Gabriel. Engineered by Richard Chappell and Rod Beale.
Taken from the film Virtuosity, directed by Brett Leonard.
* This is a new version of the song. Previously unreleased.

The Book of Love
Written by Stephin Merritt.
Produced by Peter Gabriel with Bob Ezrin. Arranged by Nick Ingman with Peter Gabriel and Will Gregory. Orchestrated by Nick Ingman. Engineered by Richard Chappell.
Featured in the film Shall We Dance?, directed by Peter Chelsom.
* This is the film version of the song, which is different to the version on Scratch My Back.

Taboo
Written and performed by Nusrat Fateh Ali Khan and Peter Gabriel.
Produced by Peter Gabriel and David Bottrill.
Taken from the film Natural Born Killers, directed by Oliver Stone.
* A new edit of the song, previously unreleased.

Everybird
Written and produced by Peter Gabriel.
Mixed by Richard Chappell.
Taken from the film Birds Like Us, directed by Faruk Sabanovic and Amela Cuhara.
* Previously unreleased.

Walk Through the Fire
Written by Peter Gabriel.
Co-produced by Nile Rogers and Peter Gabriel. Engineered by Glenn Tommey.
Taken from the film Against All Odds, directed by Taylor Hackford.

Speak (Bol)
Written and produced by Peter Gabriel with Urdu vocal arrangement by Atif Aslam.
Performed by Peter Gabriel with Atif Aslam.
Engineered by Richard Chappell.
Taken from the film The Reluctant Fundamentalist, directed by Mira Nair.
* Previously unreleased.

Nocturnal
Written and produced by Peter Gabriel.
Engineered by Richard Chappell and Richard Evans. Mixed by Richard Evans.
Taken from the film Les Morsures de l’Aube, directed by Antoine de Caunes.
* Previously unreleased.

In Your Eyes
Written by Peter Gabriel.
Produced by Daniel Lanois and Peter Gabriel. Engineered by Kevin Killen and Daniel Lanois. Featured in the film Say Anything, directed by Cameron Crowe.
* This is the film version of the song. Previously unreleased.

** NB. Due to the nature of the picture disc manufacturing process the sound quality may not be comparable to our recent black vinyl releases, though every effort has been made to make this LP sound as good as possible within the limitations of the picture disc format.
For the audiophiles amongst you a hi-res download code is included.**

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Video Memories: “So” by Peter Gabriel, released 19/5/1986 – SPECIAL

Video Memories, Genesis & Co. History through videos.

By D.B.

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Compleanno di So, l'album che, uscito il 19 maggio 1986, ha regalato a Peter Gabriel il successo mondiale totale,  non ancora arrivato con i primi quattro dischi.

Peter Gabriel - So

Ecco 10 elementi che raccontano la svolta di Peter.

1. Dopo quattro album in cui tutti i piatti della batteria erano spesso banditi, Red Rain, che apre So, inizia proprio con una spiazzante reintroduzione dei "metalli" inutilizzati. Una significativa rottura con il passato, forse a voler dimostrare che l'autore è un Peter Gabriel nuovo. Il primo suono del brano, infatti, è quello del charleston e dei piatti di Stewart Copeland dei Police, uno dei tanti collaboratori illustri di questo disco.

2. Difficile da credere, ma Sledgehammer è stata inserita nell'album solo all'ultimo momento ed è nata quasi per caso, da un'idea che girava in testa a Peter, ma che non era stata ancora sviluppata, anche se le registrazioni del disco erano quasi ultimate. La sezione ritmica è nata per prima, creata dal nuovo batterista Manu Katché e da Tony Levin al basso, poi la chitarra di Daniel Lanois (altra novità, soprattuto in veste di produttore), infine la sezione di fiati dei Memphis Horns. Il titolo deriva dalle metafore di tipo edile usate da Gabriel e Lanois in sala di incisione. Il singolo arriva quarto in UK e primo in USA, scalzando proprio Invisible Touch dei Genesis. E il video del brano è da record. lEGGI ANCHE: Peter Gabriel e la rivoluzione del videoclip.

3. Riporta Mario Giammetti (in Peter Gabriel. Not one of us, Ed. Segno), che il caratteristico suono del basso di Tony Levin in Don't Give Up, deriva dall'uso dei pannolini della figlia, per ottenere quel tono ovattato. La voce femminile doveva essere inizialmente quella di Dolly Parton, star del country americano, la quale non accetta. Così Gabriel si rivolge a Kate Bush, rimanendo molto soddisfatto. Anche se, scrive Gabriel nelle note di copertina dell'album, restano le radici "gospel/country (...) nel fantastico modo di suonare il pianoforte di Richard Tee". Questo inno alla possibilità di superare gli ostacoli ha aiutato tante persone. "Gabriel ha dichiarato che una ben nota rockstar e un attore comico gli hanno entrambi confessato che la canzone li ha convinti a rinunciare al suicidio". (Daryl Easlea, Senza frontiere. Vita e musica di Peter Gabriel, Ed. Arcana)

4. Insolitamente il testo di That Voice Again è scritto insieme a David Rhodes, il quale, con Gabriel e Lanois, è il terzo artefice principale del disco. Una soluzione cui è dovuto ricorrere il produttore canadese, visto che Peter non si decideva a ultimare le liriche della canzone. E' possibile che Gabriel non riuscisse ad andare avanti per il tema del brano, che fa riferimento alla sua crisi coniugale del momento con Jill. Dopo 10 anni ("per non creare connessioni con i Genesis", ha raccontato alla rivista italiana Ciao 2001), torna nella musica del cantante la chitarra 12 corde, suonata da Lanois. Come accade rarissimamente, il brano inizia con il ritornello.

5. In Your Eyes vede la partecipazione di vari coristi tra i quali Jim Kerr dei Simple Minds e soprattutto il cantante senegalese Youssou N'Dour, che qui canta in lingua wolof. E' verosimilmente una dichiarazione d'amore per Rosanna Arquette, l'attrice americana conosciuta la sera del concerto Six of the Best (leggi e ascolta lo speciale di Horizons Radio). In crisi con Jill da anni, Peter aveva un strana relazione con lei. Sicuramente è la prima canzone d'amore diretta composta da Gabriel nella sua carriera da solista. E dire che inizialmente si intitolava Sagrada Familia ed era ispirata alla Cattedrale di Barcellona e al suo creatore, Antoni Gaudì.

6. Varie voci di Peter sovraincise contribuiscono alla bellezza toccante di Mercy Street. Tra queste, una particolarmente bassa è stata registrata alle sette del mattino, per ottenere un cupezza naturale. Le percussioni sono del brasiliano Djalma Correa, registrate da Gabriel a Rio de Janeiro. Il meraviglioso lavoro al basso è di Larry Klein. Benchè ufficialmente ispirata all'opera quasi omonima della poetessa americana Anne Sexton, Mario Giammetti (in Peter Gabriel. Not one of us, Ed. Segno) riporta un episodio, raccontato dallo stesso Gabriel, che potrebbe aver influenzato il testo: un atterraggio di fortuna, proprio del volo per il Brasile, preso per incontrare Correa.

7. Una prima versione di Big Time, con il titolo Success era stata registrata ai tempi di Security. Terzo singolo dell'album, ha raggiunto l'ottavo posto in classifica negli Stati Uniti, dove apprezzavano il clima funky del brano e la sua filosofia, così vicina al sogno americano, anche se declinata con ironia. Fondamentale nel brano è la drumstick bass guitar, suonata da Tony Levin, che preme le corde, e da Jerry Marotta, che le percuote, ottenendo quel sound caratteristico della parte ritmica, abbinato alla batteria di Stewart Copeland.

8. Registrata originariamente per Melt, poi candidata a entrare in Security, We Do What We're Told (Milgram's 37) è diversa dalle altre tracce del disco, visto che arriva da tempi musicalmente remoti per Peter. Suonata in tour sin dal 1980, infatti, era una vecchia conoscenza dei fan della prima ora. "Sta lì a dimostrare al suo nuovo pubblico che se Gabriel voleva poteva essere ancora inquietante e disturbante". (Daryl Easlea, Senza frontiere. Vita e musica di Peter Gabriel, Ed. Arcana).  Il testo è notoriamente basato su un esperiemento che dimostrava scientificamente la "banalità del male" nazista, tema utilizzato anche dai Genesis nel brano Just A Job To Do (Album Genesis).

9. Il vinile termina con Milgram, ma non le versioni su cassetta e CD, chiuse da This Is The Picture (Eccellent Birds) - e, nelle rimasterizzazioni, da In Your Eyes -, variazioni dettate dall'ossessione di Gabriel per la sequenza dei brani e per la buona miscela tra code e attacchi degli stessi. Inserire This Is The Picture è stata una scelta singolare, visto che, composta con Laurie Anderson,  faceva già parte dell'album dell'artista americana di due anni prima Mister Heartbreak, in una versione diversa e con il titolo Eccellent Birds. Gabriel l'ha voluta temendo di non avere abbastanza materiale, altra bizzarria, visto che disponeva di brani già completi e inediti come Don't Break This Rhythm o Curtains, che invece diventeranno il lato B dei singoli Sledgehammer e Big Time.

10. Infine la copertina e il titolo So. Sorprendentemente l'album esce con una confezione esteriormente normale, con un bel ritratto di Peter realizzato da Trevor Key e nessuna delle stranezze formali presenti in quelle precedenti. Per la prima volta, inoltre, Peter decide di utilizzare un titolo. La rivista Rolling Stone gli ha chiesto il perché. "Il nuovo album ha un titolo universale, - risponde Gabriel -, così la gente non rischierà di comprare due volte lo stesso disco. Sono molto contento di averlo fatto, perché è in linea con il piccolo cambiamento dello stile; volevo che l'album fosse elementare, vivo, naturale". (Cit. in Daryl Easlea, Senza frontiere. Vita e musica di Peter Gabriel, Ed. Arcana). Al grande successo del disco ha contribuito il video di Sledgehammer, oggetto di un altro articolo di Horizons Radio - LEGGILO QUI. Ecco come Stephen R. Johnson e Peter Gabriel hanno realizzato questo e i successivi.

© Horizons Radio. Riproduzione riservata.

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Ipse Dixit – Peter Gabriel: “I am delighted that Brian Eno has been chosen for this year’s Hawking Medal”

Ipse Dixit, Genesis & Co. about Genesis & Co.

By D.B.

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"His influence has reached way beyond his own field..." READ MORE

The Stephen Hawking Medal is one of the world’s most celebrated science communication awards.

The medal ceremony will take place on 24 June at the STARMUS V festival in Zurich.

Rated PG is a collection of Peter Gabriel songs from the movies. Released 13th April, 2019.


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From petergabriel.com

Having always loved the combination of film and music (aged 17 he gave up a place at film school to pursue a career in music) Peter Gabriel’s first opportunity to really marry these twin interests came when he was asked to create the music for Alan Parker’s film Birdy in 1985.

Further film work, including his music for Martin Scorsese’s The Last Temptation of Christ (that became the album Passion)...

and the soundtrack to Philip Noyce’s film Rabbit-Proof Fence (released as the album Long Walk Home), has continued to feed that interest.

“I have always loved film and any chance I have been offered to work with good film projects and good directors I have jumped at. This is a mixture of songs that have been written for specific films, and existing songs that found an appropriate place in a story. Consequently, there is a mix of different styles and moods.” – Peter Gabriel

Alongside those longer soundtrack commissions Peter Gabriel has also regularly contributed songs to a diverse range of movies and Rated PG explores this other connection forged by Peter between his music and film.

Rated PG is an opportunity to bring together in one place, for the first time, a selection of songs written especially for, or used to notable effect in, movies and includes new and previously unreleased versions, otherwise unavailable songs and a brand new track.

For Records Store Day 2019, the album is a single LP picture disc in a die-cut sleeve. Numbered and limited edition.

Tracks:

That’ll Do
Written by Randy Newman.
Performed by Peter Gabriel featuring Paddy Maloney and The Black Dyke Mills Band.
Produced by Bob Ezrin.
Taken from the film Babe 2: Pig in the City, directed by George Miller.

Down to Earth
Music by Peter Gabriel and Thomas Newman, lyrics by Peter Gabriel.
Performed by Peter Gabriel, featuring the Soweto Gospel Choir.
Produced by Peter Gabriel, L.A. Sessions Produced by Thomas Newman. Recorded by Richard Chappell assisted by Mat Arnold. Mixed by Tchad Blake.
Taken from the film Wall-E, directed by Andrew Stanton.

This Is Party Man
Written by Peter Gabriel, George Acogny and Tori Amos.
Performed by The Worldbeaters and Peter Gabriel.
Produced by George Acogny and Peter Gabriel. Engineered by Richard Chappell and Rod Beale.
Taken from the film Virtuosity, directed by Brett Leonard.
* This is a new version of the song. Previously unreleased.

The Book of Love
Written by Stephin Merritt.
Produced by Peter Gabriel with Bob Ezrin. Arranged by Nick Ingman with Peter Gabriel and Will Gregory. Orchestrated by Nick Ingman. Engineered by Richard Chappell.
Featured in the film Shall We Dance?, directed by Peter Chelsom.
* This is the film version of the song, which is different to the version on Scratch My Back.

Taboo
Written and performed by Nusrat Fateh Ali Khan and Peter Gabriel.
Produced by Peter Gabriel and David Bottrill.
Taken from the film Natural Born Killers, directed by Oliver Stone.
* A new edit of the song, previously unreleased.

Everybird
Written and produced by Peter Gabriel.
Mixed by Richard Chappell.
Taken from the film Birds Like Us, directed by Faruk Sabanovic and Amela Cuhara.
* Previously unreleased.

Walk Through the Fire
Written by Peter Gabriel.
Co-produced by Nile Rogers and Peter Gabriel. Engineered by Glenn Tommey.
Taken from the film Against All Odds, directed by Taylor Hackford.

Speak (Bol)
Written and produced by Peter Gabriel with Urdu vocal arrangement by Atif Aslam.
Performed by Peter Gabriel with Atif Aslam.
Engineered by Richard Chappell.
Taken from the film The Reluctant Fundamentalist, directed by Mira Nair.
* Previously unreleased.

Nocturnal
Written and produced by Peter Gabriel.
Engineered by Richard Chappell and Richard Evans. Mixed by Richard Evans.
Taken from the film Les Morsures de l’Aube, directed by Antoine de Caunes.
* Previously unreleased.

In Your Eyes
Written by Peter Gabriel.
Produced by Daniel Lanois and Peter Gabriel. Engineered by Kevin Killen and Daniel Lanois. Featured in the film Say Anything, directed by Cameron Crowe.
* This is the film version of the song. Previously unreleased.

** NB. Due to the nature of the picture disc manufacturing process the sound quality may not be comparable to our recent black vinyl releases, though every effort has been made to make this LP sound as good as possible within the limitations of the picture disc format.
For the audiophiles amongst you a hi-res download code is included.**

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Unforgettable Gigs, Genesis & Co. in Italy: Peter Gabriel at Filaforum, Milan Italy 8-9/5/2003 – VIDEOS

The Concerts that made History.

By D.B.

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Peter Gabriel at Filaforum, Milan Italy 8-9 May 2003: 

These two concert was recorded. The film Growing Up Live captures the live tour, Peter’s first in 10 years, that accompanied the release of his seventh studio album UP

Click the image and buy on Amazon

Just before the tour started, in October 2002, Peter gave the following interview, which starts off by exploring why the tour was called Growing Up - READ MORE

Growing Up Live, Released 3rd November, 2003:

And Re-released on DVD on 14 October 2016 and also as part of a Blu-ray+DVD release alongside Still Growing Up Live & Unwrapped:

Setlist:
Here Comes The Flood
Darkness
Red Rain
Secret World
Sky Blue ( feat. The Blind Boys of Alabama)
Downside Up
The Barry Williams Show
More Than This
Mercy Street
Digging in the Dirt
Growing Up
Animal Nation
Solsbury Hill
Sledgehammer
Signal to Noise
In Your Eyes (feat. Sevara Nazarkhan)
Father Son

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#NowPlaying, Peter Gabriel: “‘Everybird’ kicks off the newly updated Playlist”

Peter Gabriel on Facebook: "'Everybird' kicks off the newly updated Playlist on Spotify". LISTEN.

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Peter Gabriel: “Thank you for buying “Rated PG”, but please don’t pay the high prices”

Rated PG is a collection of Peter Gabriel songs from the movies, released for Records Store Day 2019. Peter thanks for buying it, but he said "please don’t pay the high prices". Take a look at the Peter's social networks.


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From petergabriel.com

Having always loved the combination of film and music (aged 17 he gave up a place at film school to pursue a career in music) Peter Gabriel’s first opportunity to really marry these twin interests came when he was asked to create the music for Alan Parker’s film Birdy in 1985.

Further film work, including his music for Martin Scorsese’s The Last Temptation of Christ (that became the album Passion)...

and the soundtrack to Philip Noyce’s film Rabbit-Proof Fence (released as the album Long Walk Home), has continued to feed that interest.

“I have always loved film and any chance I have been offered to work with good film projects and good directors I have jumped at. This is a mixture of songs that have been written for specific films, and existing songs that found an appropriate place in a story. Consequently, there is a mix of different styles and moods.” – Peter Gabriel

Alongside those longer soundtrack commissions Peter Gabriel has also regularly contributed songs to a diverse range of movies and Rated PG explores this other connection forged by Peter between his music and film.

Rated PG is an opportunity to bring together in one place, for the first time, a selection of songs written especially for, or used to notable effect in, movies and includes new and previously unreleased versions, otherwise unavailable songs and a brand new track.

For Records Store Day 2019, the album is a single LP picture disc in a die-cut sleeve. Numbered and limited edition.

Tracks:

That’ll Do
Written by Randy Newman.
Performed by Peter Gabriel featuring Paddy Maloney and The Black Dyke Mills Band.
Produced by Bob Ezrin.
Taken from the film Babe 2: Pig in the City, directed by George Miller.

Down to Earth
Music by Peter Gabriel and Thomas Newman, lyrics by Peter Gabriel.
Performed by Peter Gabriel, featuring the Soweto Gospel Choir.
Produced by Peter Gabriel, L.A. Sessions Produced by Thomas Newman. Recorded by Richard Chappell assisted by Mat Arnold. Mixed by Tchad Blake.
Taken from the film Wall-E, directed by Andrew Stanton.

This Is Party Man
Written by Peter Gabriel, George Acogny and Tori Amos.
Performed by The Worldbeaters and Peter Gabriel.
Produced by George Acogny and Peter Gabriel. Engineered by Richard Chappell and Rod Beale.
Taken from the film Virtuosity, directed by Brett Leonard.
* This is a new version of the song. Previously unreleased.

The Book of Love
Written by Stephin Merritt.
Produced by Peter Gabriel with Bob Ezrin. Arranged by Nick Ingman with Peter Gabriel and Will Gregory. Orchestrated by Nick Ingman. Engineered by Richard Chappell.
Featured in the film Shall We Dance?, directed by Peter Chelsom.
* This is the film version of the song, which is different to the version on Scratch My Back.

Taboo
Written and performed by Nusrat Fateh Ali Khan and Peter Gabriel.
Produced by Peter Gabriel and David Bottrill.
Taken from the film Natural Born Killers, directed by Oliver Stone.
* A new edit of the song, previously unreleased.

Everybird
Written and produced by Peter Gabriel.
Mixed by Richard Chappell.
Taken from the film Birds Like Us, directed by Faruk Sabanovic and Amela Cuhara.
* Previously unreleased.

Walk Through the Fire
Written by Peter Gabriel.
Co-produced by Nile Rogers and Peter Gabriel. Engineered by Glenn Tommey.
Taken from the film Against All Odds, directed by Taylor Hackford.

Speak (Bol)
Written and produced by Peter Gabriel with Urdu vocal arrangement by Atif Aslam.
Performed by Peter Gabriel with Atif Aslam.
Engineered by Richard Chappell.
Taken from the film The Reluctant Fundamentalist, directed by Mira Nair.
* Previously unreleased.

Nocturnal
Written and produced by Peter Gabriel.
Engineered by Richard Chappell and Richard Evans. Mixed by Richard Evans.
Taken from the film Les Morsures de l’Aube, directed by Antoine de Caunes.
* Previously unreleased.

In Your Eyes
Written by Peter Gabriel.
Produced by Daniel Lanois and Peter Gabriel. Engineered by Kevin Killen and Daniel Lanois. Featured in the film Say Anything, directed by Cameron Crowe.
* This is the film version of the song. Previously unreleased.

** NB. Due to the nature of the picture disc manufacturing process the sound quality may not be comparable to our recent black vinyl releases, though every effort has been made to make this LP sound as good as possible within the limitations of the picture disc format.
For the audiophiles amongst you a hi-res download code is included.**

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